Sunday, January 31, 2010

Rohit Bal: Fashion Guru



Moving on with the my final blog for January I would like to profile the "bad boy" of Indian fashion, Rohit Bal. Rohit Bal is one of India's most celebrated fashion designers. His collections have been shown in key cities around the world such as New York, Paris, London, Singapore and trend capitals of India. Known for bending the rules of style and creating clothes that incorporate Indian folklore and costumes into twenty-first century wearables he was able to get the approval of local celebrities and the international jetset.

He uses locally made materials and employs the best craftsmen of India to execute some of the intricate details of his designs and he always makes it a point that his clothing line will be wearable for the Indian market, although some of his creations can command an upscale price. His men's wear consists of jackets, shirts, skirt pants, simple trousers along with dhotis and women's wear consists of cholis, full length skirts, Nehru collared jackets, long tops with empire line and capes. He is one designer that can re-invent style and still everybody loves it.

The Special Report on India by Time Magazine dubbed Rohit Bal as "Master of Fabric and Fantasy." I agree indeed, looking at his designs I see the Indian influence which I really admire. As reported by an Indian fashion columnist about Rohit Bal's collection during India's Fashion Week - Rohit quotes that his shows "kill the fashion week," meaning no one wants to see anything else after his collection. I may agree with that as well!!!

Photo Credits for Top and Bottom Images: Rohit Bal Women's Spring/Summer 2010 Collection
Photos provided by WillsLifestyle
Photo Link: http://www.flickr.com/photos/willslifestyle/

Photo Credit: Rohit Bal Men's Collection
Photographer: Viral Bhayani for filmicafe
http://www.flickr.com/photos/filmicafe/

Friday, January 29, 2010

Modern India


Our blog today is about understanding modern India. So what I did is post this article written by Professor Ralph Buultjens. I find his article very educational and enlightening. I do hope that you will take the time reading this wonderful article the author wrote about modern India.

Article of Prof. Ralph Buultjens:

Five important features which will perhaps give us some aid in understanding modern India:

1. its diversity
2. the depth of culture
3. a land of minorities
4. its future depends on the interaction between two worlds:
5. in the cities and rural India, poverty, spirituality and modernity mix and coexist

Many people in the Western world think of India as an inert and distant (grouping) of people and poverty, a combination of the exotic and tragic. This misperception, popularized through years of media stereotyping, conceals reality.

In fact, India is a vibrant society with an increasingly vigorous internal dynamic and an increasing influence, directly and indirectly, in the world. Its significance lies not only in its size - some 930 million Indians are 15 percent of the planetary population - but also in the questions raised by the path India has chosen in domestic and foreign policy. This nation is the largest functioning democracy, with
regular and freely contested elections. Thus, it is the test of whether democracy is a suitable system of govemment for large numbers of relatively poor people, in a world where democracy, as we understand it, is a much endangered political species, especially in Third World countries.

Modern India is also a test of two middle-ground philosophies. As an early proponent of non-alignment in international politics, India has attempted to establish a (middle) position between Western and (communist) oriented states. Over the years, its leadership in carving out a Third World posture demonstrated that there is a viable route for nations who did not want to take sides in Cold War politics, an approach which many other nations in Asia, Africa, Latin America and the Middle East have followed and hope to sustain.

India's economic policies have also broken new ground. They were the first large-scale test of the modern mixed economy: central government planning with a combination of both private and public ownership of economic enterprises. It is perhaps still too early to evaluate the results. On the one hand, poverty remain (widespread) and unemployment is high. On the other, Indian agriculture has performed much better than either Soviet or Chinese agriculture. (India now feeds here population India and has imported hardly any grain in the past four years.) Also, India now ranks as the ninth largest industrial economy in the world. A further significance of India today comes from the geopolitics of South Asia. Bordering the Indian Ocean into which the Persian Gulf flows, it is a key location in an era of oil logistics. Add the proximity of Russia, Afghanistan, Pakistan and China, and India's situation becomes critical to the tensions and interactions of current global politics. From this perspective alone, apart from the many human, cultural and other reasons, it behooves thoughtful people around the world to make efforts to understand this vast and vital nation.

It is possible to say almost anything about India and have it apply to some part of that subcontinent. India is a land of (poverty) and, in some ways, of plenty. It is a nation both powerful and weak, ancient and modern, climatically dramatic in its contrasts. The very term "India" implies a unity which exists more as a tentative political form than as a human and socio-cultural reality. From the intertwining of its complex history with contemporary society, one can distill five important features which will perhaps give us some aids in understanding modern India.

The first feature to remember when thinking of India is its diversity. It is a country in which there are 15 official languages, over 300 minor languages and some 3,000 dialects. Twenty-four languages have more than one million speakers each. The largest spoken language is Hindi, but this is the mother tongue of only about 40 percent of the population. Often Indians cannot understand each other and frequently use English as a link or administrative language. But language is not the only diversity. There are four principal social groupings, what we sometimes call castes, and several thousand sub-categories of the castes. Although predominantly Hindu, all the world's major religions are represented in India. Ethnic differences also (abound). This mosaic is culturally extraordinary. It is a source of divisiveness in a nation where particular loyalties have a deep meaning, both spiritually and physically. Given this diversity, it is remarkable that India has remained and grown, and continues to grow, as one nation.

A second feature is the depth of culture, which contrasts with the newness of the nation in its present form. There has been over 4,000 years of philosophical and cultural development in India, going back to early Aryan civilization. Since then, Hindu, Buddhist, Christian, Islamic, Sikh and other influences have left deep imprints on society. Every Indian, even the poorest illiterate, can tell stories of myth and history, a consciousness of a great civilizational heritage which is unusually widespread. Yet, there was no India as we know it until the achievement of independence in 1947. Before that there were various fragmented (some very large) territories. Many of these were absorbed into the British Indian Empire which mixed direct British rule with supervision of many areas ruled by traditional princes and local kings or maharajas. The modern state of India is only 34 years old and its development must be understood in the context of trying to impose a national framework on old cultural patterns. The consciousness of the great past and the newness of the present sometimes produces an abrasive reaction.

The third feature is that India is a land of minorities. About 80 percent of the population are Hindus. But Hinduism is an amalgam of pluralistic beliefs and forms, often containing conflicting elements. An additional 12 percent are Muslims, deeply aware of their Islamic faith. Hindu, Urdu, Bengali, Marathi, Tamil, Telegu, Punjabi and other languages create minorities of their own. Tribal and neo-aboriginal peoples number almost 40 million. No contestant for political office can be successful without an awareness of these constituencies. And this, in turn, conditions both domestic and foreign policy.

A fourth feature of modern India is that, broadly speaking, its future depends on the interaction between two worlds: the cities of India, where 20 percent of the population live, and rural India, where about 600,000 villages contain the rest of the population. Urban India is the India of modern industry, national politics and foreign policy, government planning, the national media, the major universities,
business, the armed forces, science and technology. Its best products are frequently as good as the best in the world, its orientation is cosmopolitan. Rural India is the India of age-old patterns where tradition is the principal dynamic of society, where outsiders come and go but life continues, often without much change. When the two Indias mesh effectively, India is a success, as in the expansion of education, the reduction of illiteracy, the extension of the average lifespan, the introduction of some basic health care, the sustenance of a democratic political system. When they do not connect effectively, India is in trouble, as with population control and unemployment. For the nation to realize its considerable potential, the linkage between those two Indias has to be expanded and strengthened.

The fifth and final feature we must remember is that poverty, spirituality and modernity mix and coexist in India, without the paradoxical implications which a Western perspective suggests. It is the essence of Indian spirituality which enables even the most deprived to endure poverty and it is modernity which provides the prospect of improvement.

It is this spirit, a composite of many small individual visions and inspirations, which characterizes modern India and offers the best hope for the nation and its people.

End of Article

Ralph Buultjens is a professor at New York University, and the former Nehru Professor/Professorial Fellow at the University of Cambridge. He was awarded the Toynbee Prize for Social Sciences in 1984. The article was written at www.asiasociety.org in August of 2008.

Photo Credit: Satellite shot of Mumbai, India
Images provided by DigitalGlobe-Imagery
Photo Link: http://www.flickr.com/photos/digitalglobe-imagery/

Thursday, January 28, 2010

Henna: Ancient Body Art


The tradition of mendhi or henna painting of an Indian bride's and groom's hands and feet is part of the country's culture which dates back about thousands of centuries ago. The art itself was introduced by the Arabs to India. The henna patterns range from simple to intricate. These patterns are symbols of positive energy such as wisdom, fertility, good health and spiritual enlightenment. In some Indian weddings, the groom's name is even written on his bride's hand as part of the henna design. The "stain" of the henna can last for about five days. The art of henna was highly practiced in ancient cultures during celebrations and most especially during marriage rituals.

The henna dye is traditionally taken from the hina plant found in tropical and subtropical regions. The plant produces a burgundy dye molecule called lawsone. This molecule has an affinity for bonding with protein and thus has been used to dye skin, hair, fingernails, leather, silk and wool. Presently, the commercial production of henna is highly concentrated in the region of Western India along with other countries in the Middle East and North Africa.

Humans will always find a way to make themselves beautiful by adorning their body with tattoos and paints that express their identity and beliefs as an individual and as a distinct tribe or race. And in my own humble opinion, I can just simply say that henna painting is one of the most beautiful art forms the ancients had passed on to us.

Photo Credit: Bride's Henna
Image provided by Kate
Photo Link: http://www.flickr.com/photos/13421081@N06/

Wednesday, January 27, 2010

Jewels of India


Since 5000 BC, the people of India especially the women have been known to adorn themselves with jewelry made out of gold, silver and precious gems. Jewelry is strongly a part of India's fashion style and lifestyle. They have great jewelry artisans and the details and quality of the jewelry is something to behold.

In India the design of jewelry varies from state to state. The designs are often unique and usually reflects the identity of the place where the jewelry originates. The influence of empires and dynasties that ruled India throughout the centuries also dictated the type of jewelry design that is common to a certain region in the country. The jewelry design in Orissa has a different style from the Meenakari jewelry in Rajasthan which is also distinct from the Kundan jewelry in Delhi and so on.

Traditional Indian jewelry are: waistband jewelry, kundan, filigree, armlet, finger rings, nose rings, toe rings, necklace, pendants, bracelets, anklets, bangles and earrings. Modern Indian women wear these jewelry and women of ancient India wore these jewelry as well in their everyday affairs and in huge social events.

Today the styles of ancient Indian jewelry are still in existence and as popular as ever. I myself love the look of an Indian bride or an Indian female of noble lineage adorned in her beautiful golden jewelry. I used to live near a small community of Indians and everytime I pass by the Indian jewelry stores I cannot help but look at the window display of the most exquisite jewelry in the world. I can see the traces of ancient style that are totally different to the simple modern jewelry designs of today. I like the intricacy and the size of the pendants and the earrings. They are bold and rich and definitely deserve attention. Once again I toast India's style in the art of jewellery - unique and immortal.

Photo Credit: Indian Traditional Jewelry
Photographer: Karan Verma
Photo Link: http://www.flickr.com/photos/highwayharrier/

Tuesday, January 26, 2010

Gopuram Architecture


One of the things that I always observe when I look into the history, the culture and the way of life of any country and its people is to marvel at the style of their architecture. India's architecture of its ancient temples and edifice from thousands of years ago all the way to its colonial past is something to behold. I personally believe that the Indian civilization has a very distinct architecture and their architects have been excellent in adapting the influence of various architectural styles that influenced India from the different dynasties and waves of peoples and cultures that settled in their land.

There are many types of Indian architecture and mostly the architecture of major Indian temples, palaces and even mausoleums are built based on the historical, cultural and religious aspects of India or the region where the edifice is built. Sometimes they are built just because of personal reasons like the famous Taj Mahal.


The Buddhist, Mughal, Orissan and the Fort architecture are some of the styles of Indian architecture to name a few. Though one of the most awesome architecture that is one of my favorite is the Gopuram style. The Gopuram or Gopura are the ornate towers that are usually seen in Southern India. These are beautiful towers that serve as an entrance to a temple. The towers are usually colorful and above each tapering gopuram, the area is divided into many storeys which diminish in size as the gopuram tower narrows. The top of the tower is crowned with a stone finial. The gopurams are filled with beautiful sculptures, carvings and paintings with themes from Hindu mythology, most in particular associated with a deity.

Such is the beauty of Indian architecture. I love its very Eastern origin and I believe it can hold its own among the major architectural styles in the Old World and across Asia.

Photo Credit: Gopuram of a Hindu Temple
Photographer: Robin Thomas
Photo Link: http://www.flickr.com/photos/robin-thomas/

Photo Credit: Details of the Gopuram of the Sri Meenakshi Temple
Photographer: Boxelf
Photo Link: http://www.flickr.com/photos/boxelf/

Monday, January 25, 2010

Indian Dance


Indian classical and folk dance are full of emotion and grace. Documented Indian dance was found in archeological artifacts which dates back from 6000 BC. Indian dance influenced a lot of other artforms like poetry, sculpture, literature and even architecture to name a few.

The Hindus believe that the divine Brahma, the Creator of the World, combined the songs, the expressions and aesthetic experience in the form of the natya or the dance. The mudras or the hand formations and their meanings and the emotions that the dancers show demonstrate all of these things. The Indian classical dance focus the nine rasas or emotions: Hasya means happiness, Krodha means anger, Bhibasta means disgust, Bhaya means fear, Shoka means sorrow, Viram means courage, Karuna means compassion, Adbhuta means wonder and Shanta means serenity.

Most regions in the counrty have their own folk dance. The dance from each region tells the history and the culture of the place. I myself love the art of dance and all kinds of body movement and everytime I see an Indian classical dance or folk dance it just draws my attention to its fancy steps, the movement of the head and the twitching of the dancer's face, her eyes and makeup and the rich jewelry. Indeed, these Indian artform will be here forever to appease the divine and to please the eyes of mortals like you and me.

Photo Credit: Arushi Mudgal-Odissi Classical Dance
Photographer: Prasad R.N.
Photo Link: http://www.flickr.com/photos/31555277@N06/

Saturday, January 23, 2010

Kumbha Mela


India the land of incredible beliefs is also the land of one of the world's greatest religious celebration. The Kumbha Mela, most solemn and yet festive religious observance that occurs every twelve years when the sun and moon enter Capricorn and Jupiter enters Aries. The Hindus believe that when this happen the souls are able to enter the celestial world easily.

The Kumbha Mela is described in the ancient Vedic literarture. It is the festival where one bathes in the holy rivers of the Ganges, the Allahabad, the Yamuna and the mystical Saraswati river that exist only in the spiritual plane invisible to human eye. The confluence of the three rivers at Allahabad is the center of holiness. The three rivers according to sages is where the drops of the nectar of immortality remained when the demigods tried to hide the pot of the nectar from the demons. The demigods and the demons were the ones who produced the nectar but the demigods became fearful when they realized that the demons might drink part of the nectar hence they tried to hide it away from them and in the process spilled a few drops to the three earthly rivers.


For thousands of centuries the Hindus bathe in the three rivers to purify themselves, ask for healing and to thank and praise the gods. The festival is observed by the sadhus or holy men, the nagas, and the faithful. It is attended by millions of people from India and perhaps a hundred foreigners from around the world. The Kumbha Mela is a celebration that goes for about 41 days and besides prayers and bathing at the holy rivers, dioramas about ancient Indian epics of the Mahabharata and Ramayana are on display for the pilgrims to look at, Indian drama and classical dance for people to watch, while some listen to gurus discussing spiritual things.

This is one of the world's major festivals that sparked my interest ever since I was in college. I really find this event weird back then but as I matured and continually learn and keep on learning the beauty of different cultures, the Kumbha Mela eventually became one of the most revered religious observance that I greatly respect.

Photo Credit: Kumbha Mela Images
Photographer: Tina
Photo Link: http://www.flickr.com/photos/31157611@N02/

Thursday, January 21, 2010

Hinduism


To understand India and to know its people is to understand its spiritual beliefs. Since the dawn of its own civilization, India remained to be the land of faith and spirituality. From India came Hinduism, Buddhism, Jainism and Sikhism. In this blog entry we will discuss the major faith of India, Hinduism.

Hinduism teaches us that one's state of happiness in one's present life is dictated by how one performed good deeds in one's past life. Eventually the faithful Hindu's goal is to gain deliverance from the everlasting cycle of birth and rebirth. The path to life is based on knowledge, devotion and work. God is one but his incarnations are many. God is Brahman and is composed of Brahma, the creator, Vishnu, the preserver and Shiva, the destroyer plus his ten avatars or inacarnations. All in all there are about 300 million Hindu gods and godesses.

Hinduism basically believe in the law of karma wherein every action or decision, good or bad has a consequence that will return to the person who acted upon it. And in reincarnation where one goes through a series of physical births, deaths and rebirths. Good karma reborns a person to a higher caste or to godhood and bad karma reborns a person to a lower caste or to an animal. Finally all Hindus aspire for Nirvana, the highest state by which the soul is released from the cycle of eternal rebirth.

Part of Hinduism's oldest aspect that is still observed today though not as strict as it was hundreds or thousands of centuries ago is the caste system which I personally do not like. The caste system is based on the teachings of Hinduism dividing the society to four castes or social classes and each class has its own rules. The four classes are the elite Brahman or priests, followed by the Kshatriyas, or warriors and rulers. Third are the Vaisyas, or merchants and farmers. Fourth caste is the Shudras, or laborers. Outside the caste system are the untouchables or the outcasts of Hindu society. A person is born into a particular caste.

Finally Hinduism tells us that the way to nirvana is through meditation and prayers and in fulfilling one's social duties honestly. Faithful Hindus practice karma yoga the way of works, jnana yoga - realizing we are one with the divine through deep meditation and bhakti yoga - self surrender to the deities of Hinduism absorbing divine reality.

Writing and preparing this article for you is such an education for me.

Photo Credit: New Year's First Morning Worship in Benares, India
Photographer: Saleem Reshamwala
Photo Link: http://www.flickr.com/photos/kidethnic/sets/

Wednesday, January 20, 2010

Magnificent India


One of the longest and continuous civilization since 2500 BC is also one of the most fascinating country in the world and that is India!!! Its culture and people still thrives today. This is one country that is totally mesmerizing where you can see a lot of contradictions, a lot of beliefs, a lot of festivals, a lot of food and a whole lot more to explore.

India's historic trade routes and vast empires influenced and lured peoples of different tribes and countries for thousands of years. Located in the Indus Valley it has been called by the Persians as Hindustan and by the ancient Greeks as Indoi. Throughout its history the country established empires and dynasties ruled by Maharajas and Sultans. It is also home to diverse beliefs, a pantheon of gods and godesses and also it is a country where difference amongst social classes is observed.

In the days to come we will go Indian. We will explore Indian style and lifestyle and perhaps some of its old practices. I know we will never go wrong traveling India because it has so much to offer. Namaste and welcome to the land of wonders.

Photo Credit: Mandir Sehad Golden Temple reflection
Photographer: Dainis Matisons
Photo Link: http://www.flickr.com/photos/dainismatisons/

Tuesday, January 19, 2010

Japanese Fashion


Hanae Mori, Kenzo, Issey Miyake, Yohji Yamamoto, Rei Kawakubo, Junya Watanabe, Yumi Katsura, etc. etc. The Japanese fashion designers, respected and revered by the fashion world. Being an artist and former designer, I usually check what the Japanese designers has to offer every season. I like the identity they established in the fashion capitals of the world and how they influence the eternal wheels of style. Be it haute couture or ready-to-wear the Japanese masters always hold their torch amongst the fashion gods of Europe and America.

In my own humble opinion I think that the Japanese designers always try to push the envelope a bit when it comes to clothes design (or in technology). They are very creative and resourceful, proud of their heritage they sometimes incorporate the styles of the East to the Western wardrobe. I like how they revolutionized loose and unstructured patterns and cutting, how they play the fabric, the way they mix colors or just go monochromatic. Fearless, fearless designers indeed!!!


The Japanese influence is truly a strong presence in the global fashion industry. The established designers are here to stay forever and it will be great to see more of Japan's young designers conquer the fashion capitals of the world to carry on the legacy of Japanese style.

Photo Credit: Junya Watanabe Women's Collection
Images posted by Xenon101 from Unknown source
Photo Link: http://www.flickr.com/photos/26028441@N04/

Photo Credit: Comme de Garcon Collection
Images posted by Xenon101 from Unknown source
Photo Link: http://www.flickr.com/photos/26028441@N04/

Photo Credit: Masatomo Men's Collection
Images posted by Xenon101 from Unknown source
Photo Link: http://www.flickr.com/photos/26028441@N04/

Monday, January 18, 2010

Harajuku Style



Harajuku one of the most ecclectic fashion capitals in the world located in the Shibuya Ward of Tokyo. It is where young people gather every Sunday to see and be seen. In this small area one can find a sea of colors and style. The kids come here to show off their hairstyle, makeup, accessories, clothes, their total packaging. Some are as plain as wearing black clothes and others wearing loud colors, matching the clothes with the right attitude. The talk, the walk must come together.

Prominent Harajuku styles are the Kawaii, Lolita, Ganguro, Cosplay, Hip Hop and Rastafarian look. Call them any way you want, in the end Harajuku is a mash-up of everything. This place is basically - street fashion and the breeding ground of new trends to come.

I think that Harajuku style is a fashion inspiration and fashion distraction at the same time. I am not a big fan of its very costume-like styles (as most of the clothes are). I find the clothes too edgy and non-wearable, though who am I to judge these kids, in the first place they dress in such styles to impress and make a fashion statement. On the other hand, I agree that without Harajuku style the world of fashion will be a bit boring. I like how these Harajuku kids shake the fashion world. For a fashion watcher I definitely recommend you to check Harajuku, a place where fashion is a never ending cycle. Plane tickets to Tokyo please?

Photo Credit: Harajuko Cosplay boys
Photographer: Harajuku.girly
Photo Link: http://www.flickr.com/photos/21682371@N07/

Photo Credit: Harajuku Girls
Photographer: Tommy Cuellar
Photo Link: http://www.flickr.com/photos/glowingstar/

Saturday, January 16, 2010

Issey's Easy Pleats Please


One of Japan's fashion designer that I admire and whose style and design really holds my attention is Issey Miyake. I believe he is a genius. His method of pleating fabric is amazing. The Pleats Please line is a very interesting garment that Miyake experimented in the late 80's and later became the most sought after garment for women of high style in the early 90's into the 21st century.

Miyake's pleating involves cutting and sewing the garment and then placing them between layers of paper fed into a heat press, where the pleating process takes place. Once the garments are removed from the heating press, the pleats literally leave its mark on the fabric thus giving the garment beautiful pleats that add originality to the design. His pleats collection is a palette of beautiful colors and the whole piece is wearable.

Issey Miyake's Pleats Please is a winner, it never goes out of style. Cheers to Miyake, cheers to pleats and may all women of elegance have their pleats please as well.

Photo Credit: Issey Miyake's Pleats Please Line advertisement
Photographer: Syrup Cohen
Photo Link: http://www.flickr.com/photos/syrupnewyork/ and http://www.syrupnyc.com/

Friday, January 15, 2010

Japanese Invasion


The Japanese invasion - anime and manga. This is the one of the coolest influence from the East that now became part of a western kid's or teen's lifestyle (thus I should say it is now part of the American way of life).

Anime is the abbreviated pronunciation in Japanese of the word animation and manga refers to Japanese comics. Both are hand drawn or computer animated. The characters you see in these two styles of art form can be seen on television, video games, films and even commercials. If you are familiar with anime and manga you will also notice the very stylized way on how the characters are drawn - large eyes or very small dot eyes, big hair, small body or long neck, strange creatures that you cannot even tell what type of animal it is and vivid colors. The facial expressions are usually exaggerated. The stories are generally fiction or sci-fi. Sometimes there is also drama or feel-good story anime that teach the kids and the viewers good lessons in life.

Anime and manga as an art form, is a different take and style of animation from what we have in the west. Famous Japanese anime that are popular in the States are Pokemon, Jin-roh, Pikachu and a lot more. Manga (comics) abound in American bookstores. Some of the stories can be graphic - violent or sexual or a combination of both. The biggest fan of these two art forms are teens and young adults. Every now and then I see young men reading a manga or teens playing anime inspired characters on video games and sometimes I see young girls or girls in their teens with printed manga characters on their bags or girly backpacks.

The style also became part of the Japanese youth's lifestyle as in their way of dressing. Some kids really breath anime and manga. Somehow it also influenced fashion trends in Europe wherein some designers based their collection on an anime character's dress, hair and makeup. Personally, I am not a big fan of anime/manga inspired fashion because they look like costumes unless the design is wearable.

My favorite anime are Voltes Five, Mazinger Z and Naruto. Should I admit that anime/manga is a great art form? well indeed...they are very original. Is it part of today's modern lifestyle? yes it is. Can it influence fashion trends? Yes it already did and it still is. How about you what do you think of anime and manga?

Photo Credit: Untitled Anime Illustration
Photographer: Kim Idogava
Photo Link: http://www.flickr.com/photos/sandipkim/

Thursday, January 14, 2010

Origami Influence



Origami is the traditional Japanese art or technique of folding paper into a variety of decorative or representational forms, as of animals or flowers. Origami is a combination of two Japanese words - Oru meaning folding and kami meaning paper. Using one piece of paper the artist creates an object using geometric and crease patterns without even gluing or cutting the paper. Remarkable indeed.

There is the mathematics of origami and techniques of folding the paper. Origami figures can either be huge or tiny. Two things I observed influenced by the art of origami is its use in architecture and fashion. Some architects make models of buildings and houses in a three dimensional representation. The creations are comparable to pop-ups. They really look interesting and the lines look very clean.

For the origami inspired clothing, the geometric lines and folds are seen in the fabric. How the fashion designer manipulates the crease and folds and how the basic design of the dress is executed is key to a beautiful origami inspired outfit.

Once again the Japanese culture contributed another style of art that the world embraced. So let's get those paper ready and let's origami.

Photo Credit: Origami Architecture
Photographer: Professor & Architect Yoshinobu Miyamato
Photo Link: http://www.flickr.com/photos/31375127@N07/

Photo Credit: Origami Fashion
Photographer: Johanna Abzug
Photo Link: http://www.flickr.com/people/capricious/

Wednesday, January 13, 2010

Oasis of Tranquility


Serenity and grace, a Japanese garden. One of the most beautiful style of garden arrangements in the world. The Japanese garden evokes simplicity, something which is quite different from gardens in the Western world. Whenever I see pictures of these gardens or if I am strolling in one of these gardens, I feel peaceful and joyful. Basically I marvel on how the elements are arranged: the plants, the rocks and pebbles, the pond or lack of it and the lanterns.

There are actually traditional styles of Japanese gardens. The Karesansui - dry landscape gardens influenced by Zen Buddhism. These gardens are usually found in Zen temples. The garden has raked gravel or sand that simulates the feeling of water. Rocks, shrubs and moss are the elements of this style.

The Tsukiyama - this style copies the Chinese and Japanese landscapes. The shrubs blocks views of surrounding structures and the elements in the garden makes the onlookers focus on nearby mountains in the distance. Ponds, streams, hills, stones, trees, flowers, bridges, and paths make up this style.

The Chaniwa - the garden for tea ceremonies. This garden has the hut or the tea house as one of its main element. Stepping stones leading to the tea house, stone lanterns, and stone basins where guests purify themselves before a ceremony complete the look of this style.

I truly admire the Japanese aesthetics of garden arrangement and its different styles rooted in the spiritual and mundane. Oasis of tranquility and solace, the Japanese gardens.

Photo Credit: Happoen Japanese garden in Tokyo
Photographer: Natasha P.
Photo Link: http://www.flickr.com/photos/natashap/

Tuesday, January 12, 2010

Batik


The Batik is a very traditional Southeast Asian fabric that is popular in Indonesia and Malaysia. The fabric traditionally uses a manual wax resist dyeing technique. The theme of the fabric's patterns are usually flowers, animals, folklore or people and for the nobility the stripes of the pattern indicate ones rank and royal lineage.

Wax resist dyeing of fabric like linen was practiced in ancient Egypt and as some scholars thought, it probably was introduced by Indian traders to Indonesia around the 6th or 7th century but other scholars believe that the Indonesian art of making the batik fabric themselves originated within their region, Java, Indonesia.

The batik fabric is usually worn as a sarong, or it can be wrapped around the body or made into a hat. Wearing of batik in the Indonesian culture is truly part of their tradition. There are batik fabrics that are only meant to be worn for social gatherings, for weddings, and even for funeral. The patterns and color of the fabric has its own meaning and one should always wear the proper batik clothing meant for a particualr event. Today the batik is used for many purposes such as furnishing fabrics, heavy canvas wall hangings, tablecloths, household accessories and even as batik artworks or paintings.

The batik , a fabric that the Indonesians should be very proud of. It is truly a classic material and it can be part of one's stylish clothing and accessories.

Photo Credit: High fashion creation using Batik Fabric by Indonesian designer Chossy Latu
Photographer: Chandrahadi Junarto
Photo Link: http://www.flickr.com/photos/c_junarto/2433560177/

Monday, January 11, 2010

Jose Moreno: Philippine Haute Couture



There is no other haute couture Filipino designer that is absolutely world class than Jose Moreno, popularly known in the Philippines as Pitoy. The most outstanding contribution that J.Moreno did was to promote local Philippine clothing materials and Philippine fashion internationally. He made the local fabrics such as the pina and the jusi part of women's clothing. Nationalistic as he is, he transformed Philippine costumes into wearable high fashion ballgowns and formal dresses. I personally admire his creativity and his resourcefulness for using local Philippine materials.

Almost five decades in the high fashion business, designer J.Moreno is still designing women's clothing the traditional way, made-to-order. Much attention is given to the cut, the construction, the choice of fabric, the accessories, the beading for just one creation. His Manila atelier is always busy with orders from faithful clientele, mostly from generations of wealthy Filipino women. His creations are known for its great design, originality and right cut. The handpainting of the fabric is always exquisite and the beading is perfection. It was in the late 60's that even fashion greats like Pierre Cardin and Pierre Balmain were reportedly eager to witness his show when his collections were shown in Paris.

As an international designer he traveled Asia, Europe and America and the Middle East to showcase the best of Philippine couture. His noted clients are Philippine and American First Ladies, influential American women, international socialites and European and Asian royalties and famous ballerinas.

Last 2009 he was awarded by the Philippine government the title Philippine National Artist. Hailed as the Fashion Czar of Asia, Jose "Pitoy" Moreno is truly a force in the field of true high fashion.

Photo Credit: Jose Moreno and Models
Photographer: Kai Huang
Photo Link: http://www.flickr.com/photos/kaihuang/

Photo Credit: Jose Moreno's Orientalia Embroidered Gown
Photographer: Dionie Olo
Photo Link: http://www.flickr.com/photos/31183908@N04/

Sunday, January 10, 2010

Philippine Fashion Week


Philippine fashion designers are one of the most talented and creative artists in the world. If they are only given the chance to work and be recognized in the fashion capitals of the world like New York or Paris and even Tokyo, they could easily give their European, American and Japanese counterparts a very stiff competition.

It was good news to the Philippine fashion industry when the Philippine Fashion Week was formally launched as a bi-annual event in 2007. Close to a hundred designers participate to showcase their collection for seven days. This event raised the bar of the fashion industry in the country and placed the "rag trade" as one of the major businesses that can help boost the local economy. Since The Philippine Fashion Week was organized, I noticed that a few more fashion events and fashion shows are presented in Manila at least two or three times a year and I think that it is a good thing. These shows usually attract local buyers, Southeast Asian buyers and a few Western clients. It helps local designers get recognition and work. In the end it is a win-win situation for the country's economy.

I was in Manila to watch the last fashion week October 2009. I should say that it was good and the clothes are really wearable and beautiful, though sometimes I see some designs that are a bit unwearble according to my taste. Each designer have their own pallete. A little bit different from designers in Europe and the US where sometimes most designers seem to agree on a certain silhouette or color that will dictate a particular season.

The Philippine fashion industry has a long way to go but I believe that it is going to the right direction. I do hope to see more international recognition of this event and a brisk business for the designers and their market in years to come.

Photo Credit: Filipino designer Puey Quinones Collection Spring/Summer 2010
Photographer: Xernan Orticio
Photo Link: http://www.flickr.com/photos/xxernan/

Saturday, January 9, 2010

Terno Filipina



For the Filipina, the terno is the formal gown to wear during social events and cultural events. The terno evolved from the baro/camisa (blouse) at saya (long skirt) and usually worn with a tapis (sarong tied to the waist) and the panuelo worn over the shoulders. Today the terno is worn as one piece of clothing. This clothing is very feminine, it shows and flaunts a woman's silhouette very well (especially if she has a great figure).

The prominent part of the terno is its butterfly sleeves. The gown can be designed in many, many ways but the butterfly sleeves should always remain. The basic style of this clothing is of Filipino and Spanish origin. Today, there is a lot of freedom on how a designer can execute the cut and the draping of the fabric. The terno can be simple or can be intricate with lots of embroidery, handpainting on the fabric, styling the hem in different ways: shirring, layering, folding, pleating, etc., etc.

Like the men's Barong Tagalog, the terno achieved international recognition. Even if Karl Lagerfeld denies it or not, a terno inspired dress was seen in his recent collection for Chanel, so did Cher wore one when American designer Bob Mackie... I believed designed a terno styled glam costume with exaggerated butterfly sleeves in one of her Las Vegas concerts way back in the early 80's prompting her to tell the audience that "I feel like Miss Philippines with these sleeves." Indeed the terno had come a long, long way and its beauty and elegance will continue to inspire designers and lovers of fashion forever.

Photo Credit: Handpainted and Beaded Terno by Designer Jose Moreno
Photographer: Dionie Olo
Photo Link: http://www.flickr.com/photos/31183908@N04/

Photo Credit: Filipina Terno
Photographer: Marvin Martinez
Photo Link: http://www.flickr.com/photos/30658694@N06/

Friday, January 8, 2010

Barong Tagalog


The Barong Tagalog, the national clothing of Filipino men. An elegant and timeless piece of clothing that is worn by most Filipino men during grand events. The fabric is made from abaca, banana, pina or pineapple leaves mixed with silk called jusi. The Barong Tagalog simply means in English as the Baro (the clothing) of the Tagalogs (the people from the region of central Luzon and Manila and surrounding area). This clothing evolved during the Spanish colonial era in the Philippines. Once an everyday menswear, the mestizos and the Spaniards living in the Philippines, re-styled the clothing and made it the clothing of the influential Manilenos of the 17th-19th century.

The shirt is sheer, usually white or off-white in color with translucent quality and can be worn with or without a camisa de chino or undershirt. The fabric is designed to adapt to the country's tropical weather. Although at times wearing this shirt can be itchy because of the its natural fibers. Today the modern version of the Barong Tagalog is made of pure cotton, with handpainted designs and the fabric is usually in pastel colors or just plain black. My favorite though is still the classic Barong Tagalog material.

The beauty of the Barong Tagalog can be seen in the intricate embroidery that adorns the shirt. The design patterns of the shirt are done by the following methods: hand embroidery, machine embroidery, computerized embroidery, hand painting, pintucks (alforza), lace-inserts/appliqués and calado. I believe the expensive ones are those whose designs are hand embroidered or hand painted.

The Christian Dior menswear collection presented a jacket inspired from the Barong Tagalog and famous Hollywood director Quentin Tarantino even wore one in an awards event, not to mention foreign dignitaries who at one time or another wore the Barong Tagalog as well.

I am really proud that this piece of menswear is respected in the fashion world and around the world. True Filipino style.

Photo Credit: Classic Barong Tagalog
Photographer: Unknown

Thursday, January 7, 2010

Philippine Jewelry


The Filipinos have been wearing jewelry since ancient times. Mining started in the Philippines about 1000 BC and the trading of gold, pearls and semi-precious stones with Arabia, China, India and Malaysia was already established long before the Spaniards came to the Philippines in 1521.

Philippine jewelry is so diverse in design. There are tribal or ethnic jewelry crafted by the indigenous people. These jewelries are often made from stones, animal bones, seeds from plants and seashells. They are mostly colorful and exotic.

The other classic jewelry is the Spanish inspired jewelry. This type of jewelry usually comes in a set: the earrings, the necklace, a brooch and the bracelet. The style of this jewelry is very old school, very classic and opulent. The materials are often pure gold and the stones for a necklace's pendant or for a ring are diamonds, rubies, topaz or emeralds. The most common pendant for necklaces is the crucifix or a prominent precious stone. Wealthy women during the Spanish era often flaunted them just like the women of modern Manila. The Chinese however brought jade to the Philippines. Since then Filipinos of Chinese heritage introduced the combination of jade and gold to women's jewelry.

But of all jewelry nothing is more indegenous to the Philippines as pearls (though not a stone technically). Being an island nation the Philippines is home to the most beautiful pearls in the world. The craftsmanship of Philippine-made pearl jewelry is exquisite. For centuries, Philippine pearl jewelry complemented the beauty of influential women around the world.

I am not a big fan of jewelry, although I appreciate its beauty and its different designs and most especially when I see a beautiful woman wearing one. I do suggest that when you visit the Philippines, go jewelry shopping as well. I am very sure you will find something that suits your fancy.

Photo Credit: Philippine-made Satin Seashell necklace
Photographer: Dan Brian Gerona
Photo Link: http://www.flickr.com/people/dbgg1979/

Wednesday, January 6, 2010

Fil-Hispanic Architecture


The classic Filipino mansion truly shows the beauty of Philippine architecture and interior design. These classic "big houses" are usually found in Northern Luzon, some in Manila and a few spread out all over the islands. Philippine architecture and interior is a mixture of Malay, Spanish, Chinese, American and some Hindu influence. Among these influences the Spanish style has its greatest imprint. I like the high ceilings, the big capiz windows, the ventanillas, the huge sala (living room), the balcony, the big bedrooms, the big kitchen and the European type gardens. I like how the Filipinos transformed the Spanish style making it their own. Now I am talking about these mansions that were built at least in the late 1800's to which only a few exist today.

These Philippine mansions are usually built with concrete or with stone for the first floor and wood for the second floor, though some mansions are all concrete. Since the Philippines is a tropical country, hence the use of concrete to stabilize the home during heavy typhoon season against strong winds and the use of wood to cool the home from hot weather year round. The favorite spot that I like in these mansions is the sala or living room, I like how huge they are, surrounded by many windows and filled with nice antique furniture. Most of these homes have altars of worship where religious statues and religious elements are placed, an influence from Catholic Spain.

The interior can be simple or extravagant. Usually the furniture is made of wood. The chairs, the sofa, the coffee table, side table, the cabinets, the dining table and dining chairs and the bed are all wood. The wooden furniture can be plain and simple but some have intricate woodwork and patterns. Other accessories that can be used for the interior to make the home beautiful are jars, santos or religious figures, paintings, a grand piano, a sculpture, a closet showing a China collection, a Chinese or Malayan wall divider with intricate carvings, etc. These mansions like all mansions usually have wide wooden stairs with at least twenty steps from the ground floor leading to the second floor's spacious living room or living rooms.

The gardens are lush and filled with tropical plants and flowers. Some owners have fountains in their garden. The gardens are usually copied from gardens in Spain and a few of these mansions have an atrium where most of the owner's parties and reception usually take place.

Basically that's about it on Philippine-Spanish style architecture and interior that I can share with you.

Photo Credit: Syquia Mansion in Vigan, Philippines
Photographer: R. Hilton
Photo Link: http://www.flickr.com/photos/hilton_photos/

Tuesday, January 5, 2010

Philippine Cuisine


Food is part of one's culture and lifestyle. Like I mentioned in my last blog we will have a series about the Philippines and today our topic is the country's cuisine.

Filipino food is basically one of the most delicious dishes in the world. The food has evolved over the centuries from its Malayo-Polynesian origins to a fusion of foreign cuisine: Spanish, Chinese, American and other Asian dishes. There is an abundance of tropical fruits and vegetables, meat and poultry and seafood.

Though sometimes the food can be greasy or unhealthy to Western standards it is still definitely a treat. A typical Filipino meal usually consists of rice and fried fish or sausages or cured meat and vegetables. The preparation of the meal takes about an hour.

Food with Spanish influence are the arroz valenciana, mechado or beef stew, fish escabeche, pescado al horno, ropa vieja, oso buco, chorizo or longanisa and adobo.

Food with Chinese influence are the stir fry noodles, the chopsuey, steamed fish, sweet and sour pork or fish, fried spring roll and lots of soup dishes. The Filipinos also learned to use black beans, tofu and soy sauce from the Chinese.

The native Filipino dishes are the pinakbet (all vegetable), dinuguan (cooked pork's blood), kare-kare (peanut base beef stew), paksiw (fish, bittermelon and vinegar base soup) to name a few.

According to Asia recipe.com here are the popular Filipino dishes: lechon (whole roasted pig), longganisa (Philippine sausage), tapa (cured beef), torta (omelette), adobo (chicken and/or pork braised in garlic, soy sauce, and vinegar or cooked until dry), kaldereta (goat in tomato stew), mechado (beef or pork cooked in tomato sauce), pochero (beef in bananas and tomato sauce), afritada (chicken, pork or beef simmered in a tomato sauce with vegetables), kare-kare (oxtail and vegetables cooked in peanut sauce), crispy pata (deep-fried pig's leg), hamonado (pork sweetened in pineapple sauce), sinigang (pork, fish, or shrimp in tamarind stew), pancit (stir-fried noodles), and lumpia (fresh or fried spring rolls).

Come let's eat!

Photo Credit: Philippine Food Photo Mosaic
Photographer: Flipped Out
Photo Link: http://www.flickr.com/photos/kenilio/

Monday, January 4, 2010

Gem of the Pacific


Moving on with my blog on lifestyles, I thought about sharing a few things about my native country's history, cuisine, architecture, fashion, etc. I do hope that you will find this Philippine islands series interesting.

The beautiful islands of the Philippines, Gem of the Pacific. My home country has 7,100 islands located in Southeast Asia's Ring of Fire. It has about 4000 years of history from its first settlers to 21st century Philippines.

The Filipinos came from different waves of tribal communities and races. The first recorded settlers of the islands were the aboriginals called Aetas, then the Malays and finally the Indonesians. During its earliest development the Philippines was ruled by independent kingdoms headed by the sultan or datu, the kingdoms developed their own laws, writings and way of life. These kingdoms traded agricultural products and gold with neighboring countries like Borneo, China and India and even as far away Arabia. In 1521 the islands were conquered by Spain and was named Las Islas Filipinas in honor of King Felipe II and shortly thereafter Manila was named its capital.

For the next 300 years the Philippines was under Spanish rule. Finally in 1898 the Americans came and bought the islands from Spain under the Treaty of Paris agreement. The United States then an emerging world power, ruled the islands and made the country part of the US Commonwealth. It was 1945 when the Philippines became a free country and Republic, one of the first countries that gained independence after World War II.

Considered a third world country but definitely developing, poverty and unemployment is very high and the government is reportedly corrupt. On a positive note and generally speaking, the Filipinos are the most resilient, friendly and peace loving people in the world. Hospitable, loyal as friends and dedicated to their profession.

Allow me to give you a glimpse of Philippine style and lifestyle. It can be an experience!

Photo Credit: Bolog Island in Palawan, Philippines
Photographer: Jayson Tan
Photo Link: http://www.flickr.com/photos/jaysontan/

Sunday, January 3, 2010

Me and Photography



For the third day of my blog I would like to share with you my love for photography. Okay it might not technically fall under the category of style and lifestyle, but in my humble opinion I believe that without photographers we will not be able to enjoy the aesthetics of style and lifestyle. Through their lens we are able to see the world around us - faces and places - everything from the good, the bad and the ugly.

What started me into photography? For one I am basically an artist, I love to draw, I am mesmerized by colors and patterns that I see in everyday life, in nature, in people, in objects.

I enjoy these grand and small things: great architecture, colorful autumn leaves, a snow covered park, lush tropical mountains, ripples of the water, different ethnic faces, a beautiful face, an interesting wrinkly face, a flock of birds, corals, mighty waves, etc. the list never ends.

As the artist and photographer, I know that to capture these things in their simplicity or complexity would be awesome and to have it in my collection of pictures would be one of the best thrills in life. To share it with others is also my objective so that those that do not have the opportunity to see these things might be able to enjoy it vicariously through the pictures I shot (and hopefully they will like it too).

As I go on writing my blogs, I will do my best to share images that I shot which I (subjectively) find beautiful and/or interesting and share them with you. As the days go by we will travel around the world and I will pick up global influences and introduce you to the style culture of different countries. Let's have fun!

Photo Credits: Mystery of the Sphinx and St. Jean de Baptiste Stained Glass
Photographer: Alvin dela Pena

Saturday, January 2, 2010

Lifestyle

Lifestyle or "modus vivendi" in Latin pertains to the habits, attitudes, tastes, moral standards, economic level, etc. that together constitute the mode of living of an individual or group.

That said my blog will try to cover all types of lifestyle. Lifestyles of different cultures, lifestyles of ancient and modern civilizations, tribal customs, global traditional practices, festivals and feasts perhaps even burial customs...anything just about anything that will be educational for all of us. We will also talk about the lifestyles of the rich and famous, royalties, celebrities, the mafia, the yakuza, hip hop life, ballerinas, models, musicians etc. and possibly feature everyday people.

My blogging is a combination of style and lifestyle and anything in between. Though sometimes, I may deviate from the topic of my blog and may voice out my opinion about politics, current events and social issues as well. I would like to be informative and most especially I would love to learn from my readers too. I will certainly welcome sensible comments or replies if one wishes to post any opinions.

I will do my best to be true to my objective that this blog remains real and unpretentious. This blog is for all of us to share.

Friday, January 1, 2010

Stylos, Stylus, Style

Style has its origin from the Greek word "stylos" which means columns or columned. During the middle ages, around 1250-1300 it evolved to the word "stilus" which was derived from the Latin word "stylus." Stilus is a tool for writing, referring to any various pointed instruments used in drawing, artwork, etc. Later in the modern era it evovled to the new word "style" which presently means a lot of things:
1. the mode of expressing thought in writing or speaking by selecting and arranging words, considered w/respect to clearness, effectiveness and euphony.
2. those components or features of a literary composition that have to do w/the form of expression rather than the content of the thought expressed.
3. a manner of tone in discourse or conversation.
4. a particular, distinctive or characteristic mode or execution of an artwork.
5. a certain manner of action.
6. a mode of living, as with respect to expense or display.
7. a mode of fashion as in dress, especially good or approved fashion.
8. an elegant, fashionable or luxurious mode of living. And maybe a lot more.

Certainly this blog I created will touch on style that is synonymous with dressing and fashion and with other things where design and creativity is needed like architecture and interior design, the visual arts, the cultural arts, pop art, cinema, etc.

I like to keep this blog real and hopefully unpretentious. I created this blog not to attract readership but just to contribute and share my thoughts on the subject and more than ever learn from you as well. Come join me.
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